In Donne, loving someone is as much a religious experience as a physical one. But he is too lovesick and sad for the Spring garden to cheer him up. So when the speaker of the poem, often merges with the poetic persona, invites the readers to justify his arguments that he puts forward in favour of his views of love that appear very odd and unconventional as the theme of traditional love poetry. However, they should not allow their present happiness to be spoiled by any doubts and fears, whether genuine or baseless. As the speaker faces an intruder and argues with him, he links 'lover's sigh' with 'merchant's ships', 'colds' with 'spring', 'heat' with 'plague' and 'love songs' with divine hymns. Canonization is an other master piece love poem of John Done.
O more than moon, Draw not up seas to drown me in thy sphere, Weep me not dead, in thine armes, but forbear To teach the sea what it may do too soon; Let not the wind Example find, To do me more harm than it purposeth; Since thou and I sigh one another's breath, Who e'er sighs most is cruellest, and hastes the other's death. Spiritual expressions 11 What are the three diction patterns that dominate stanza four? The poet now raises the fourth rhetoric question by comparing their life prior to the present with the seven sleepers who miraculously slept for 187 years in a den. All other things are hastening to their decay; their love alone knows no decay. It has been a traditional and religious practice of the people to build the tomb of pious men. He says that they will be declared saints and will be rewarded sainthood of love. Donne explores ideas in a manner which some readers find confronting and enlightening through relentless use of metaphysical conceits and his direct address to an individual or god.
Updike is talking about the idea of a limbo. But it should be noted that he confesses that he had sexual relations with other women in the past in which he saw the perfect face of his beloved. In this stanza Donne expresses the power of love and the power of Sonnets and hymns also. Donne infuses passion and realism in his treatment of love and thus goes against the Elizabeth tradition. The speaker uses colloquial words, rough idioms and broken rhythm, all of which characterize metaphysical poems.
Donne uses paradoxical statements to get his reader's minds to jump from their usual tracks to consider the lies we believe to be true, while offering us truths we we would tend to dismiss as false. Apparently, he wants to say that one should keep himself busy by doing appropriate work rather than keeping a check on him and his lover. Then they will celebrate their golden jubilee; it is only the second year of their love. The second stanza continues the speaker's application of logic, as he questions how his love injures or harms others. When did my colds a forward spring remove? He scorns the worldly, he questions the inquisitive, he proves the myths true, he places his love high and announces it as canonized. S Eliot and Herbert Grierson with their essays on Metaphysical poets. The first three lines show that true love is powerful, that it is not based on physical attributes, and that love is timeless.
These are not empty expressions as every word in the poem is linked with the central theme — love. The speaker claims that as the lovers rise again after they die, they possess something miraculous, mysterious about themselves that will justify the lovers as canon of sainthood — the central argument of the poem. And in heaven they shall be thoroughly blest; they shall be as much blest as other spirits. When did my colds a forward spring remove? Their love will increase still more in heaven when after death their bodies sink into the grave and the souls ascend to heaven. His love poetry moves from physical attraction to spiritual unity most of the time. Within us are the eagle and the dove, thus making sense of the riddle of the phoenix, since my lover and I are one, and combine to form the phoenix.
More pointedly, love in this poem allows the speaker to put forward a pretty radical proposal—namely, that romantic love is just as deserving of sainthood as love of God or fellow human beings. The poem, in its unorthodox treatment, is truly a representative of metaphysical poetry and sometimes goes beyond any such classification. John Donne's poem, 'The Message,' is driven by the theme of crossedlove. In order to show that lovers are equally saintly figures with their dedications and sacrifices the poem creates paradoxical situations that are very complex and sometimes obscure. He elaborates… 883 Words 4 Pages John Donne was a contemporary of Shakespeare. As the beloved moves to kill the flea the speaker begs her to spare the flea that carries three lives now and in which they live more than married. In the poem, Donne makes able use of , , and wordplay.
John Donne is considered as the most prominent poet of the school of metaphysical poetry that had flourished in the first half of the seventeen century England. The Lives of the English Poets. His later poetry following his joining the ministry maintains some of his carnal playfulness from earlier poetry, but transforms it into a celebration of union between soul and soul, or soul and God. D at the Department of English, Banaras Hindu University and has completed M. Even when he talks of love in the Platonic strain, he does not forget the body. Improve your mind with artfulness, and improve your stately bearing with wealth, and look at how kings behave — and let me love.
The physical passion is to unite them into one soul and transform them into saints of love. The lover is tactful, full of emotion and witty. The family was Roman Catholic which was dangerous during this time when Catholicism was being abolished and protestant was taking over. Tombs: Another minor theme of the poem is the tombs. He says that the sea-discoverers like Columbus have gone to discover new lands and some other are framing the maps of the world and suggests that they should do all this because for them such discoveries hold value.